![]() I tend to compose what are called "through-composed" melodies-meaning melodies that don’t loop back on themselves. JH: When I’m composing at the piano, I’m trying to sort of let a melody unfold in a way that takes us on a bit of a narrative journey. He likes to complain about how I put him through the ringer, so… Yeah, that’s probably about right. ![]() There was the main theme, and then I moved on to other themes, and some of them became songs, and some of them became score themes.ĭC: Yeah, he’s probably not exaggerating. JH: I did a little over 1,900 piano demos on this movie, between all the different themes. Some of this stuff is so hard to describe, and is so personal, so I never knew for sure if anyone else would respond to a melody I responded to in the same way. It would make me want to tap my foot with joy, or want to cry, or just give me goosebumps. ![]() DC: It was a very personal thing, when I heard a melody that I fell in love with.
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